(under construction, scores not listed here are available upon request)

Chamber Music

Caoineadh — fl, vc | 6’30” [recording] [score]

(2019, premiered by Steph Dressler and Rocío Díaz de Cossío)

Come along! — open instrumentation, fixed media | ca. 5’45” [recording] [score]

(2022, premiered by Ficino Ensemble)

Flow — mar, vib, pno, pno | 3’30” [recording]

(2016, premiered by Yarn/Wire)

From getting here to being here — fl (picc), ob (eh), acc, e gtr, db | 4’20”

(2020, premiered by Leah Stevens, Shoshana Klein, Ryan Garvey, Tim Walters, and Dean A. A. Mason)

Ghost Apples — fl, cl, ob, hn, tpt, tbn, perc, pno, vln, vc, db | 8’30” [recording] [score]

(2019, premiered by Purchase New Music)

Heaps — solo vox, SSAATTBB, chamber orchestra, elex | ca. 52’

(2024, commissioned by Contemporaneous and Choral Chameleon, premiered by Contemporaneous, Choral Chameleon, and Amber Evans)

Heart Jar — cl (b. cl), pno, vln, vc | 6’30”

(2024, premiered by Unheard-of//Ensemble)

O, My Soul! — string quartet | 8’15” [recording] [score]

(2019, premiered by Cassatt Quartet)

Riffing — cello quartet | 5’15” [recording] [score]

(2021, premiered by Quartetto Zuena)

Singing Within Singing — open instrumentation, fixed media | 10’ [recording] [score] [fixed media track]

(2019, premiered by Jordyn Davis, Gia Dreyer, Samson Matthews, and Zachary Ritter)

Sleepwalk — vln, vla, vc, db | 5’30” [recording]

(2019, premiered by Fifth House Ensemble)

Two Violas — vla, vla | 6’30”

(2017, premiered by Roberta Crawford and Teddy Wątróbska)

Upon all the living and the dead — bar solo, fl (picc), cl, t.sax, hn, tpt, e gtr, perc, pno, vln, vln, vla, vc, db | 13' [recording]

(2018, premiered by Contemporaneous and Zachary Ritter)

Waters — string quartet | 12’ [recording]

(2016, premiered by Momenta Quartet)

Vocal Chamber / Choral

Again, then — sop, pno | 6’ [score]

(2022, premiered by Adriana Valdes and John Urban)

All You Have to Do - derivative work on Zedd’s Stay — SSAATTBB, baritone solo | 3’45”

(2023, commissioned and premiered by Choral Chameleon)

Being - song cycle with Carina Kahane — sop, pno | 12’ [recording]

(2017, premiered by Carissa Arduini, Carina Kahane, and Alex Castonguay)

Eternal Vows for a Dying World - art song with Sydney Roslin — mez, bar, pno | 4’30” [score]

(2020, recorded by Blythe Gaissert and Michael Kelly)

Oh, the wind and the rain — sop, fl, hp, gtr, gtr | 5’15” [recording] [score]

(2021, commissioned and premiered by Nightingale Ensemble)

On Our Street - chamber opera with Librettist Sydney Roslin — sop, sop, mez, bar, pno | 20’

(2018, premiered by Alexandra Aks, Erica D'Ancona, Kaya Giroux, Ian Young, and Jacob Kline, conducted by Alexander Chen, directed by Nora Gair)

The Sometimes Joy of Reminiscing — SATB | 5’30” [recording] [score]

(2019, premiered by Choral Chameleon)

Solo

Clouds and Wavelets — gtr, elex | 11’ [recording]

(2021, premiered by Brian Ellis)

Dialed In — cl, elex | ca 10’ [recording] [score]

(2019, premiered by Tyler Neidermeyer)

Hoping — fl, vox | 3’30” [score]

(2024, commissioned and premiered by Steph Dressler)

Just a moment — vla, vox | 4’ [recording] [score]

(2021, premiered by Emily Hiemstra)

Plea — pno, vox | 4’ [recording] [score]

(2021, premiered by Amber Evans)

Songs of and for the Soul — pno | 16’

(2019, premiered by Gregg Welcher)

Songs of Innocence and of Memory — pno | 19’

(2017, premiered by Michael McAndrew)

Tarnish — vla | 6’30” [recording] [score]

(2019, premiered by Teddy Wątróbska)

When did I swallow butterflies? — uke | 1’15” [recording] [score]

(2021, recorded by Brian Ellis)

Electronic / Ambient / Experimental

The Aesthetics of Failure - structured improv with Jordyn Davis — elex, db with loop pedal | ca. 5’ [recording]

Asking - Electroacoustic improvised ambient set with Samuel George Johnson — gtr, elex | 15’ [recording]

Convolution Cocktail - ambient track with Brian Ellis — fixed media | 12’ [recording]

Basement Gallery - Structured improvisation with Samuel George Johnson — gtr, elex | 2h

Decompression Chamber - Site-Specific Sound Installation (4.2 Channel) | Duration Ad Libitum

Deeper Sea — fixed media | 10’

Dreamy Bitch - structured improv with Jordyn Davis — elex, db | ca. 15’ [recording]

Heaps - time-stretched sound collage built from samples of Imogen Heap’s Hide and Seek — fixed media | 40’ [recording]

Opalescence — dancer, elex | 7’ [recording]

(2023, commissioned and premiered by Brooklyn Motion Capture Dance Ensemble and Erin Landers)

Round in a Round — electroacoustic performance – mez, bar, fixed media | 5’

Arrangements

Jali Bakary Konteh and Mafu Conteh’s Alaji Bamba Bojang — chamber orchestra and kora soloist | 5’ (For Contemporaneous and Jali Bakary Konteh)

Jali Bakary Konte and Pa Bobo Jobarteh’s Massane Sessay — chamber orchestra | 4’05” (For Contemporaneous) [recording]

Kara-Lis Coverdale Aftertouches — chamber orchestra | 20’ (For Contemporaneous) [recording excerpt]

Vladimir Martynov’s The Beatitudes — chamber orchestra | 5’15” (For Present Music)

Peter Hannan’s Trinkets of Little Value I. Theguehoaca — chamber orchestra | 4’15” (For Present Music)

John Kander’s “Willkommen” from Cabaret — chamber orchestra | 5’ (For Infrasound)

Tom Lehrer’s The Masochism Tango — chamber orchestra | 3’ (For Infrasound)

Kurt Weill’s “Tango Ballad” from The Threepenny Opera — chamber orchestra | 2’45” (For Infrasound)

Jocelyn Hagen’s soft blink of amber light — choir and piano quintet | 8’30” (For Choral Chameleon)

Yasmin Williams’ Sunshowers — gtr, e gtr, pno, perc, vln, vla, vc | 5’ (For Contemporaneous) [recording]

Alhaji Bai Konte’s Alla l’aa ke — cl, tbn, gtr, vln, vln, vla, vc | 5’15” (For Contemporaneous)

Vladimir Martynov’s The Beatitudes — cl, tbn, gtr, vln, vln, vla, vc | 5’15” (For Contemporaneous)

Heinrich Schütz’s Da Pacem Domine — cl, pno, vln, vc | 5’30” (For Unheard-of//Ensemble)

Jonathan Coulton’s Down Today — vox, pno | 2’30”